“Aimé has an agile, strong coloratura voice and articulates text effortlessly…”
“Rich-toned and dramatic, Aimé was particularly splendid in her faux-Gypsy aria.”
Soprano and South Carolinian Alexis Aimé is based in St. Louis where she works with Opera Theatre of St. Louis as the Manager of Artistic Planning. She completed her MM at University of Maryland Opera Studio. There, she performed the role of Female Chorus in Benjamin Britton’s The Rape of Lucretia, and the roles of Euridice and Amor in Orfeo ed Euridice. Receiving her bachelor’s degree in vocal performance at Oberlin Conservatory, Ms. Aimé performed Gretel in Hänsel und Gretel and Rosalinda in Die Fledermaus. She also sang the role of Lady Macduff in Bloch’s MacBeth at Manhattan School of Music.
As a 2010 Winner in their Classical Voice competition, Ms. Aimé was invited to perform at YoungArts' 40th Anniversary Gala at the Metropolitan Museum of Art in 2022. Hosted by Josh Groban, Ms. Aimé performed "Ain't it a pretty night," from Floyd's Susannah, and other tunes with alumni from multiple disciplines. Ms. Aimé has participated in many YoungArts events including Jay Jackson’s immersive dance and art project [In]Visibility as part of a residency with YoungArts Foundation where she sang and composed portions of the music for the project. She was also a featured performer in Lance Horne’s residency and instrumental in the development of his musical Revelations.
Ms. Aimé has been privileged to perform in several recitals at Weill Hall at Carnegie Hall; performances include “C’en est donc fait” from La Fille du Régiment, “Meine Lippen, sie küssen so heiss” from Guiditta, and “Gretchen am Spinnrade” by Schubert. Ms. Aimé was also invited to perform at TedX Nashville in a presentation on music business.
Ms. Aimé has spent her summers studying and performing: As a Gerdine Young Artist at Opera Theatre of St. Louis, she covered the role of Denyce Graves’ child in The Champion and performed in Il tabarro, Pagliacci, and The Kiss. At Academy of Vocal Arts, Ms. Aimé performed the role of Tchaikovsky’s Iolanta for Russian Opera Workshop. As a concert artist at the Oberlin in Italy program, she performed 12 concerts across Tuscany, including the prestigious Tournabuoni in Florence. In addition, Ms. Aimé performed in an Italian film documentary while in Italy.
Recent Press:
“As Euridice, soprano Alexis Aimé has a beautiful voice that resonates soundly in the theater over the equally gorgeous orchestra. [As Public Opinion] In addition to their strong voices, Ms. Aimé and Mr. Herr have great comedy instincts that make them stand out.”
-Broadway World
“Alexis Aimé, as The Female Chorus, was the audience’s moral compass; though removed from the story, her compassion and concern for Lucretia was palpable, especially in “She Sleeps as a Rose.” Aimé, a soprano, has an impressive range; she shone in her strong lower register as well as her upper one.”
-DC Metro Theatre Arts